In: Freydank, Sylvia / Rebhahn, Michael (Hg.) Darmstädter Beiträge zur Neuen Musik, Sonderband „Defragmentation“ – Curating Contemporary Music
The concert situation during the 19th century, from which the music we perform today mostly originates, is rarely discussed, even though ‘the concert’ denoted something completely different back then.[1] There are only a few publications that take the development of the concert, its institutions, customs, and performance into consideration.[2]
This essay is based on a much more detailed theory outline in the anthology Das KonzertII (Tröndle 2018).
Das Buch OnlineTröndle, Martin (2019): Concert Evolution: A Theoretical Approach, in: Freydank, Sylvia / Rebhahn, Michael (Hg.): Darmstädter Beiträge zur Neuen Musik, Sonderband „Defragmentation“, Mainz: Schott, S. 15-24.